Welcome to the collective, where art meets science meets innovation
Read the story of the Renaissance's Man in our blog, or check out the latest work in progress below...
Read the story of the Renaissance's Man in our blog, or check out the latest work in progress below...

Speculative audiovisual piece developed during a residency at INAV (Instituto Nacional de Artes Visuales, Montevideo). It imagines a future Montevideo inhabited by post-human hybrid fauna—part memory, part algorithm—emerging from ecological collapse and cultural drift.
The piece blends charcoal and pastel drawings with Natron/AfterFX 2D layered animation and Comfy UI generative AI finish.
Its soundtrack, composed from processed field recordings and synthetic voices, evokes a layered sonic ecology.
The production is underway, and consists of an evolving installation and short film: a mythic bestiary rendered in code, noise, and dust—an urban hallucination at the edge of history.
This project is becoming a hinge between my analog roots and system-based futures, between ecological imagination and sonic poetics.
It’s not post-apocalyptic. It’s post-anthropocentric.

The piece blends charcoal and pastel drawings with Natron/AfterFX 2D layered animation and ComfyUI generative AI finish.
The city isn't destroyed — it's dreaming, feral, nonlinear.
Working on the mood for this steampunk adventure, which will include music extracted and mixed from The Quarterline Ensemble, rec by Erik Culp at Reg Tow Truck studios and edited and mixed by myself.
Sonically, it pulls processed field recordings, synthetic voices, and the rhythmic metallic clank of a world rebuilt from water and wind.
Systems, simulations, and prototypes.
From melting aluminum to hydroponics kits, I build tools that speak to ecology, scale, and insight.
Visual poetics in motion.
Installations, drawing-based animation, sound art, and generative projection design.
Learning as design.
Sign-based ensembles, illustrated blogs, education platforms, and experimental outreach.
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